The Square Foot Theatre and Tavern in Wallingford is presenting a assembly of “Rent” that is awash out for the absolute weekend. I was advantageous to snag a bench at the Thursday night opening.
The basic affairs for the appearance is presented in the anatomy of a card for the Life Cafe, the abode breadth the absolute casting performs “La Vie Boheme.” Admirers associates could browse the Q cipher to apprentice that Roger was played by Paul Lucenti with Andy Friedland in the role of rocker Mark. Steffon Sampson shines in the role of Tom Collins with Ruben Soto at Benny. Sarah Golley is a assertive in the role of Joanne and Jenna Morin plays the achievement artisan Maureen. William McKinney takes on the role of Angel and Nina Cecilia dances and prowls as the biologic user Mimi.
In the choir are Mia Laguna, Sheila Duckworth, Casey Winberg, Donato Biceglia, Renee Duhaime-Matta, Victoria Atkin-Dahm, Evelyn Dahm, Lauren Price, Sara Cortemanche, Heather Bazinet, Megan McEvoy and Ashley McLeod as Alexi Darling.
Patrick Laffin both directed and choreographed the aggressive adaptation of RENT.
The assembly is proudly sponsored by the Jamie Hulley Arts Foundation.
Alan Dougherty leant his talents as the music administrator and played the keys in the pit built-in on an animated platform. Jordan Brint played bass, Gregory Bowen was on the drums and Merrick Martin played guitar. The accumulation fabricated the account ample the amplitude aloof perfectly.
The set advised by the administrator is a assignment of art in its layout. With a baby date in the centermost of the theater, the set expands to ample the basically ellipsoidal room. There are ladders for the characters to ascend to an animated breadth adverse the pit orchestra. The stairs to the pit were additionally acclimated for the scenes with the acknowledging characters.
The Christmas lights mark the breadth below the pit and the walls are blood with baby flyers. There are baby spaces for the performers to use, the best able actuality the mixer lath for Joanne to administer during Maureen’s performance. The lighting added so abundant to the attending of the show, although I sometimes had the atom ablaze animated anon in my eyes. It didn’t amount that depending on breadth you were seated, you ability not be able to calmly appearance a accurate area of the area in use because the arena would anon change.
The aftereffect is that I got to acquaintance my aboriginal RENT in the annular and it was absolutely spectacular. The actors are able to move amid the cabaret tables and the admirers members, abnormally important because alone a scattering of them could fit on the date at the aforementioned time. Everyone was acquainted of arena to the absolute allowance and it acquainted as immersive as it could anytime be. The performers, all vaccinated , move amidst the masked audience.
The associates of the multi-aged, best across-the-board casting formed calm acutely able-bodied and every one of them gave their all to their roles on aperture night.
The absolute run of Square Foot assembly is awash out and the Thursday appearance was absolutely added and awash out about immediately. I was accustomed to accept been included.
Kudos to the Square Foot aggregation on yet addition accomplished show. It acquainted so acceptable to be sitting in this different achievement amplitude again. Next up at the area is “The Rocky Horror Show” active October 22-31, 2021.
Nancy Sasso Janis has been autograph theatre reviews back 2012 as a way to abutment bounded theatre venues. She posts reviews of able-bodied over 100 productions anniversary year. In 2016, she became a affiliate of the Connecticut Critics Circle. She continues to accord theatre news, previews, and audience notices to bounded Patch sites. Reviews of all levels of affected productions are acquaint on Naugatuck Patch and the Patch sites abutting to the venue. She afresh became a contributor to the Waterbury Republican-American newspaper. Her account cavalcade and theatre reviews arise in the Thursday Weekend area of the paper.
Follow the analyst on her Facebook pages Nancy Sasso Janis: Theatre Analyst and on Twitter @nancysjanis417 Check out the NEW CCC Facebook page.
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